Céline Dion Poses Nude for Vogue

Céline Dion has never, ever been a minimalist. Her music is all big emotions and dramatic melismas. Her shows are Vegas–style spectacles complete with fireworks. Her hits aren’t just big, they’re worldwide record-breakers (you know you helped by buying that Titanic soundtrack back in ’97). And when it comes to fashion, this is a woman who loves a head-to-toe designer look, complete with hats, gloves, and major heels. Which is why it’s kind of amazing that her latest look, which she debuted on Vogue magazine’s Instagram, is so stripped-down. Literally.

Céline posed nude for Vogue in an Instagram posted yesterday. In the pic, Dion sits in a Louis XV-style chair in a Paris hotel room, demurely covering part of her face, and any body parts that might trip Instagram’s censors. Dion is currently in Paris for Couture Week, which kicked off on July 2, and the photo was taken while she changed outfits between shows — because Dion does not play, so yes, she serves a completely different look at each show she attends.

Couture Week is an important event for Dion, who has become a nascent fashion icon in the past year since she began working with stylist Law Roach — who brought you Céline’s much talked-about Vetements Titanic sweatshirtmoment. As Vogue’s caption reveals, the star almost exclusively wears custom-made couture during her legendary live performances. Read on and see if you can handle the fabulousness:

“[Dion] performs a minimum two hours a night, five or six nights a week [...] in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Céline’s orders, the houses send teams to Nevada typically for three fittings, before the garments are ultimately finished in her local, private atelier. Armani Privé, Schiaparelli, Giambattista Valli, Versace… only a partial list. Everyone, basically.”

The caption also details how Dion has her personal atelier add Velcro panels to her custom-designed couture pieces to allow for proper breathing while she performs, and for quick outfit changes. She also has elasticized chiffon added to any dress slits so she can move and squat in them (we love her so much). So much for the supposed fragility of couture. As Dion tells Vogue: “We have to make haute couture industrial… The clothes follow me; I do not follow the clothes.”

So, there you have it. Céline Dion is the ultimate queen who can basically make couture into athletic wear — or she’s just as content in nothing at all. Tell your fave to get like Céline!Read more at:celebrity dresses | prom dresses manchester

カテゴリー: fashion | 投稿者tedress 17:22 | コメントをどうぞ

People now call me Srija: Nimisha Sajayan

 

(Photo:plus size prom dresses)For the Mumbai-bred Nimisha, a day spent at Thavanakadavu, near Vaikom, prepared her for Srija, the character she played in Thondimuthalum Driksakshiyum. She wandered through the byroads, took a jhankar and, in the meantime, observed the girls around her.“I studied their body language, how they walked and behaved and found my Srija in them. But then, the credit obviously goes to director Dileesh Pothan, who explained Srija to her and what her thoughts would be. “I just imbibed his idea,” says Nimisha, who is winning rave reviews for her performance.

“It is beyond all my expectations. A lot of people are calling me and they call me Srija,” says Nimisha.

Despite the congratulatory calls from industry folks, friends and family, Nimisha agrees she had her share of apprehensions, too.

“I was selected after several rounds of auditions. Then, there was a look test where I was given the costume and hairstyle of Srija, following which I was selected for the job,” says Nimisha. Only then was she told that Srija was a much older and matured character.

“Dileesh told me I would be paired opposite Suraj Venjaramood and this is no conventional movie with a hero and heroine format, rather a portrayal of four people and their lives,” says the actor.

But, did she ever resent not having the stereotypal lead lady look?

“No, never. In fact, I was thrilled to bits being a part of the this wonderful venture. I knew I will have to perform something and I was looking forward to it,” she adds. Nimisha had to stop doing her eyebrows and had to cancel her saloon sessions that would compromise the rustic look her character demanded. The actor says that she knew she had to do it for Srija to appear convincing.

And, sure she did. Nimisha says she has been asked many times by people whether some shots, like those in the song Kannile Poika, were shot without her knowledge, for its realistic look.

“People don’t somehow believe when I tell them it was shot with my knowledge. Dileesh would brief the scene to us first and we did what he said. I was aware of the cameras and the people around me, but it was easy because the team was so good and they made me so comfortable. Even Suraj make me feel comfortable and that helped my work in this movie,” she adds.

Her debut movie might have only released last week, but Nimisha is busy filming Eeda directed by editor B Ajith Kumar, and produced by Rajeev Ravi.Though she is tight-lipped about her character, she says she likes to play roles that has no resemblance to herself. “Like Srija, my aim to play characters that are very different from me. I feel there is no challenge in playing a character that is like me,” she adds.Read more at:prom dress

カテゴリー: fashion | 投稿者tedress 17:34 | コメントをどうぞ

New fashion tries to prove women can look good in bin bags

 

(Photo:cheap prom dresses)Belgium husband and wife team Filip Arickx and An Vandevorst turned black plastic bin liners and dry cleaning sheaths into skirts and elaborate embroidered ball gowns in their debut Paris haute couture show.

Haute couture is the very pinnacle of the fashion world, with only an elite band of designers allowed to show their luxurious handmade creations in the French capital, some of which cost tens of thousands of euros.

The pair — collectively called A.F. Vandevorst — set out to challenge that aesthetic with a punkish cavalier show which also featured rubbish bag veils.

Rather than demure debutantes in puff balls of taffeta and silk, their models had the air of runaway nightclubbing nuns.

Others wore dashing hussar jackets and trousers matched with thigh-high boots and skin-tight PVC trousers.

An Vandevorst told AFP the show was an ode to the joy of dressing up with anything you can find to hand.

“It´s about total freedom and creativity, and a women who lives out of her suitcase… transforming old stuff into new,” she added.

“She takes things that she finds like a bin bag and embroiders it. She is so creative that the material doesn´t matter.

“She is so chic and so sophisticated she can turn anything with her natural flair — poof! — into something great.”

A handbag is thus transformed into a hat, and whole line of wardrobe staples — leggings, jackets and tops — into head dresses and wimples.

Americans in Paris

In what can only be interpreted as a blow to New York fashion week, two high-end US labels also made a bow on the couture catwalk alongside A.F. Vandevorst as guest members.

Rodarte, a red-carpet favourite for Hollywood royalty like Natalie Portman and singer Katy Perry, said the label intends to hold all their couture shows in Paris from now on.

Set up by sisters Kate and Laura Mulleavy at their mother´s kitchen table in table in Los Angeles, Rodarte´s debut Paris collection mixed a take on white, red and black leather biker gear with ethereal silk organza.

Gold and silver bows turned up on the waist of a string of pieces in the unapologetically pretty spring summer collection which was dominated by flower motifs and patterns.

Feather frond jackets and a trouser suit that almost seemed to be made of flower stamens were littered through the line-up.

New York-based Proenza Schouler also chose to show its spring/summer ready to wear 2018 collection rather than the autumn/winter range most other brands were presenting.

Lazaro Hernandez, one half of the design duo, said they had been talking about making the move to Paris for years.

While the Mulleavys insisted that the way fashion was treated as art in the French capital had attracted them, Hernandez said Paris “has always been the most inspiring city for us”.

“We came over and we searched all these independent Parisian ateliers where they do feather work, hand weaving textiles, ribbons (and so on), and we employed all these amazing little studios and worked back and forth from New York to Paris.”

“It was really a celebration of craft, we wanted to go back to some quite traditional techniques… an anti-cynical kind of collection, a celebration of beauty,” his partner Jack McCollough told reporters.Read more at:prom dresses uk

カテゴリー: fashion | 投稿者tedress 16:15 | コメントをどうぞ

Porter Magazine Hosts ‘Incredible Women’ Talk Series With Sofia Coppola

Lucy Yeomans, Sofia Coppola Federico Marchetti 

(Photo:short prom dresses)Porter magazine is continuing its “Incredible Women” talk series, celebrating inspiring women from different walks of life. Its latest guest was director Sofia Coppola, who joined the magazine’s editor in chief Lucy Yeomans and features director Vassi Chamberlain on Tuesday to talk about her journey to date.

The talk was preceded by a private screening of Coppola’s new film, “The Beguiled,” which premiered at this year’s Cannes Film Festival and won her the best director award, making her the second woman in the festival’s 71-year history to be given the award.

Coppola spoke about her inspiration for the film, which aimed to reimagine Thomas P. Cullinan’s book and Don Siegel’s 1971 movie interpretation starring Clint Eastwood, from the female characters’ point of view.

“I’ve watched the movie and it stayed in my mind. It was so fascinating to me that they made this really macho movie about a group of women in a girl’s school,” said Coppola, explaining that she set out to portray the women’s experiences and sexuality without distortion in the film.

“I was really interested in these women that are isolated during the wartime and what it might have been like for them. In the original movie, their desires were treated as something crazy,” she added of the film, which stars the likes of Nicole Kidman, Kirsten Dunst and Elle Fanning.

Known for always dipping her toes into the world of fashion, Coppola also said she wanted to accentuate the feeling of suppression these seven characters experience in the movie through their choices of clothing. In the film, they are often seen reading the etiquette book “How to Be a Good Southern Lady” in prim ivory white floral-printed petticoats with high ruffled necklines.

The talk also raised the issues of the lack of female directors in the movie industry, which is slowly starting to change.

“I had a clear idea what I wanted to make for this film. Most of the financiers and executives are men so they are less interested in female-driven project. But, this is changing now,” Coppola said.

Female creatives from the fashion and art worlds — including designers Phoebe Philo, Roksanda Ilincic and Bella Freud — joined Coppola for the screening at Soho’s Picturehouse Central.Read more at:prom dresses

カテゴリー: fashion | 投稿者tedress 15:12 | コメントをどうぞ

Textile traders likely to go on strike against GST

 

(Photo:formal dresses uk)Textile traders across the country may go on strike beginning from Tuesday for three days, opposing the implementation of GST on textiles. A rally is also likely to be carried out on June 30, 2017. Lakhs of organised and unorganised traders associated with the textiles will be affected badly with the implementation of GST, according to textile associations.

It is anticipated that textile traders in Gujarat, Delhi, Maharashtra, Punjab, West Bengal, Rajasthan, Tamil Nadu and other parts of the country will go on strike from Tuesday. Around 35,000 textile shops in Telangana are expected to remain close while nearly 70,000 textile establishments in Surat have been shut since June 24, 2017, according to media reports.

Cloth merchants and powerloom weavers and workers are also expected to join the strike. In an attempt to save the powerloom sector, a request has been made by the Tamil Nadu Powerloom Federation for exemption from GST.

Further, a representation has been made by the Federation of Gujarat Weavers Welfare Association (FOGWWA) for various issues including implementation of fibre policy for all fibre kinds, refund of accumulated GST credit and lowering GST on yarn to either 5 or 12 per cent among others.

“The GST Council had promised that it is not going to tax textiles. But contrary to their promise, they have imposed a 5 per cent tax on the commodity. This will result in closure of scores of shops,” according to Telangana State Federation of Textile Associations. “The textile trade is quite different from some other businesses. Payments come very late, say after six months, after dealers or stockists supply it to retailers. But we are expected to pay the tax immediately. This will result in tremendous amount of pressure on the trader for working capital,” he said.Read more at:prom dresses liverpool

カテゴリー: fashion | 投稿者tedress 15:48 | コメントをどうぞ

A Quintessentially “Downtown” New York Wedding at The Standard, East Village

Virginia “Gigi” Burris and Evan O’Hara are the epitome of the cool, quirky NYC couple—the kind that maintains their whole existence below 14th Street. She’s the owner of namesake millinery brand Gigi Burris Millinery. He’s the man behind Vereda, a company that creates American alligator belts, wallets, shoes, and other products from wild alligators harvested in Florida. You’ll rarely see her walking around the Lower East Side without one of her own beautiful creations situated on top of her head, and he similarly serves as his brand’s best ambassador, often wearing his alligator jacket on the streets of downtown. Fittingly, the two were introduced at the perfect setting for the beginning of their Big Apple love story: a pizza parlor called Rubirosa in Nolita. “I ate four slices of our shared pie, and Evan only ate one,” remembers Gigi. “What a first impression!”

The couple had been dating for two years when Evan orchestrated a surprise proposal. “Some close friends and I had gotten together to watch the sunset over some drinks at the Boom Boom Room,” says Gigi. “Evan planned with my best friend Kate for this to be a special evening! He came out of hiding and got down on one knee as we looked over the Hudson River. A bottle of Champagne immediately arrived, and we all celebrated together.”

Growing up, when Gigi dreamed about her wedding day, she always imagined herself wearing a Vera Wang gown. “To me, both then and now, it’s classic and timeless,” she says. “The dress I landed on had an elegant drape but also captured this nonchalance and modern spirit at the same time.” Being a milliner, the pressure was on for a very special headpiece. “I created a soft dusk blue straw boater hat adorned with vintage tulle and a diamond hat pin,” says Gigi. Her hair was a nod to classic ’70s waves, and for beauty, she went with a fresh face and a natural lip. Friend and fellow former CFDA/Vogue Fashion Fund contestant Paul Andrew created blue suede high heels to match. Evan wore a Zegna couture tuxedo and an alligator boutonniere and belt.

Gigi and Evan knew that they wanted their wedding to feel intimate, relaxed, and personal. “Both of us were born and raised in Florida, but now call New York City our home, and knew it had to be a city wedding,” says Gigi. “Small nods to our Florida upbringing made our special day feel rooted in both places.” They felt strongly about having their ceremony outside and close to nature so the lush garden at The Standard, East Village was the perfect place for them to host the gathering of 60 guests.

After the ceremony, guests relocated to the penthouse for a celebration organized by Adrianne Mellen Ramstack of Adrianne Elizabeth. Once there, everyone mingled and danced to a playlist the couple had created that ranged from Elvis to Gary Clark Jr. Casual comfort food like lobster rolls, alligator croquettes, sliders, deviled eggs, and mini caviar potatoes were served up, and signature drinks of whiskey and a nod to the Moscow Mule were also on hand. “We even had beer brought up from this brewery that we adore in Florida,” says Gigi. The newlyweds danced to “Chapel of Love” by the Dixie Cups, and then the boys smoked cigars while the ladies selfied against the city skyline. “My dad gave a very tender speech before we cut the cake,” remembers Gigi. After the reception, the group moved to Wise Men, where Rubirosa pizzas (of course) and jalapeño margaritas were served, and the DJ spun hip-hop and ’90s until late night. Two days later, after fully recovering from the wedding festivities, the new Mr. and Mrs. O’Hara jetted off to Cuba for a honeymoon adventure that was full of salsa, mojitos, and taking in a new culture together as husband and wife.Read more at:pink prom dresses | graduation gowns

カテゴリー: fashion | 投稿者tedress 17:07 | コメントをどうぞ

Author to speak in Saguache

The public is invited to a book signing and free program at the Saguache County Museum on Sunday, June 25th at 1:30 p.m.

Tracy Beach is an author who was raised in Salida. She has written “My Life As A Whore,” the biography of Madam Laura Evens 1871-1953. Laura called Salida home for 53 years. Tracy was “determined to give this wonderful woman her final wish, a biography of her amazing life.” Also, she is in the process of revising “The Tunnels Under Our Feet: Colorado’s Forgotten Hollow Sidewalks.”

The program will be about Laura Evens, who “wasn’t any ordinary soiled dove from the days of Colorado’s Wild West. Raised by a Grand Cyclops of the KKK from the Mobile, Alabama, branch, she wasn’t about to let anything stand in the way of what she wanted. She wanted to be rich.

From…a gun fight to help save her business, her failed attempts to prevent her friends from poisoning themselves, selling bootleg booze for her supplier who lay dying on her couch, hiding battered women and children from distraught husbands suffering the effects of the Depression, to identifying the corpse of a friend beaten to death by a lover – all the while achieving her goal of owning an entire red light district”, in Salida “which stayed open until December 1949…which was longer than any other in Colorado, due largely to the unusual qualities of its owner.”

Beach and her 18 year-old daughter will dress in vintage clothing for their presentation. They will tell stories that did not make it into the book. Some stories may be “a little naughty.” There will be a slide show (vintage 1972 projector) with NO nude pictures, and they will present artifacts.

Beach will sign her book, “My Life As A Whore,” and include a really cool brass brothel token with each sale.

Laura Evens said, “I’m not a lady of the lamp light, I’m not a soiled dove…I’m a whore. Call me what I am.”

The program is free. Refreshments are served. Donations are accepted.Read more at:cocktail dresses | white prom dresses

カテゴリー: fashion | 投稿者tedress 16:14 | コメントをどうぞ

Young designers take spotlight during Milan Fashion Week

 

(Photo:white prom dresses)A fresh breeze buffeted Italy’s fashion capital during the second day of Milan Fashion Week on Sunday, both literally, bringing relief from the June heat, and figuratively, as young designers took the spotlight.

They brought with them fresh silhouettes with new proportions and reinterpretations of old summertime favorites from linens to stripes.

Here are highlights from menswear previews Sunday in Milan for next spring and summer:

TEXTURES AT FERRAGAMO

Guillaume Meilland’s second collection for Ferragamo is inspired by the Mediterranean coastline shared by his native France and adopted Italy.

The looks are defined by texture: cable-knit fishermen’s sweaters, velvety shorts, corduroy trousers and suede laser cut tops, all hearty fare for wind-swept seaside strolls. The designer also added touches of whimsy like sea horse prints and coral key chains.

“Yes I like the idea of having, for me, something very Italian, something very much linked to the idea of the holidays and the seaside,” Meilland said backstage. “Textures, colors, we are trying combine soft velvet, English fabrics and heavy linens … The fluid and something more rough.”

The looks combined for an effortless silhouette that Meilland said was inspired by the 1960 French film “Purple Noon,” based on the Patricia Highsmith’s “Ripley” novels.

Ferragamo’s footwear included penny loafers or slip on moccasins with rubber soles adorned with the trademark buckle for the city or rope accents for the seaside.

CELEBRITY TURNS

Italian rapper Ghali honed in on a pair of velvety shorts with a sea horse print on a golden background from the front row of Ferragamo’s show for next spring and summer.

“I really like the collection. I love lots of the textures that I saw,” said Ghali, a Milan native whose new album, titled “Album,” is being promoted with an ad on the Duomo cathedral.

BRUTALISM AT BIKKEMBERGS

Lee Wood laid the seams bare at Dirk Bikkembergs during his second season as its creative director.

The clean collection revealed the construction details that create rhythms with their repetition, from the patchwork trousers to the intarsia knitwear.

Wood said he was inspired by the brutalism architectural movement of the late 1960s and early 1970s that stood against adornment.

“I wanted it to be brutal. I wanted it to be honest. I wanted it to be like men should be,” Lee said backstage. “I don’t want to see men all pretty and perfect. I think a man should be rugged.”

The lines were simple, with neat T-shirts with scooped necks paired with urban patchwork trousers cut from natural fabrics. The cuffs were turned up to reveal the rough seam. Heavy boots and utilitarian sandals anchored the looks.

Suit jackets were worn with shorts that were nearly bloomers in proportion, a fob to summer, while some trousers were festooned with maxi-pockets. Tops, by contrast, were soft, like one that was a patchwork of gold, light blue and white.

While the materials were mostly natural fibers and the color palette based on hues of blue, white and slate gray, the collection closed with flashes of green and Japanese technical fabric.

YOLO FROM KOREA

Korean designer Munsoo Kwon made his Milan debut in the Armani theater with a collection that contained some measure of autobiography.

The triptych collection includes pieces based on European tailoring, Korean military wear and a series of character looks. The thread that connects them all: The YOLO phenomenon, previously, before the invention of abbreviation-loving social media, known as “You Only Live Once.”

The 37-year-old Kwon expresses his whimsy with out-of-proportion cuts: Boyish striped sweaters that are part of his character series are gigantic with wide, trailing arms, dwarfing the wearer.

The military looks are elongated and soft, not your usual regimented rendering. And the tailored outfits are clean and elegant, featuring pinstripe pants with long belts worn with a pajama-inspired top and a trench coat with bell sleeves.Read more at:royal blue prom dresses

カテゴリー: fashion | 投稿者tedress 19:12 | コメントをどうぞ

Gal’s Guide highlights our herstory

If you’ve never heard of filmmaker Alice Guy-Blaché, actress and Wi-Fi inventor Hedy Lamarr, fashion designer Coco Chanel, or the first African-American and first Native American woman pilot Bessie Coleman, you’re … probably not alone.

But you have a chance to catch up each Friday this summer when the women behind Gal’s Guide to the Galaxy will release a new episode of their podcast Your Gal Friday on galsguide.org, about the life and times of these four women in June.

Ultimately, the site will feature podcasts about more than 75 other women of art, science, culture and history.

Gal’s Guide Executive Director Kate Chaplin, Treasurer Katie Harris, and Secretary Nicole Amsler, started Gal’s Guide as an outlet for women to be able to discuss various issues, including slut shaming, body image, women’s portrayal in the media and cancer coping techniques, among other topics.

Recently, the group read Hidden Figures before attending a screening of the film, followed by a discussion of the real-life women who worked for NASA. Chaplin has also recently shared her knowledge of all things Wonder Woman for the May 2017 Gal’s Guide meeting and around town. She has frequently lectured about women filmmakers at film festivals based on her personal experiences and extensive research.

Meetings, which take place on the last Thursday of every month from 7 to 9 p.m., are open to all ages and genders, not just* those who identify as women. On June 29, the group’s topic is a Summer Reading List from Gal’s Guide at Barley Island Brewing Company in Noblesville.

Chaplin, Amsler and Harris also want to reach out beyond those who attend the meetings.

“It can be scary to travel across town, join a room full of strangers and put yourself out there,” says Amsler. “Some women only connect with us online, and that’s okay. Other women have commented, joined the discussion, and then made the leap into a meeting or event. That’s great too! We are honing our mix and I expect it to change continuously over the years.”

Chaplin, a Noblesville-based filmmaker, and Phoebe Frear, an up-and-coming local filmmaker, research and host the podcasts that Gal’s Guide release.

The research process for each subject, says Chaplin, takes a couple weeks, including subject determination. She and Frear discuss what they would like to learn and then split up the questions, do the research and interview each other for the podcast recording.

On the first podcast, Chaplin and Frear discuss Guy-Blaché’s work as a filmmaker of more than 1,000 films from 1896 to 1920, including why they thought her male contemporaries are more famous, whether she realized her own success in her lifetime, and why other filmmakers should know more about her. Most notably, Guy-Blaché’s innovations in the early years of filmmaking included color, sound, interracial casts, and the concept of acting “natural” on camera.

Chaplin and Frear say future podcasts will have a similar back and forth, conversational tone, and may feature guest speakers.

“I feel like sometimes we talk about people in history or celebrities,” says Frear, “as if they are at a higher level than us that we cannot reach or relate to, where in fact, we can all make our mark in history just as much as these gals have and we are all human. Life is messy. We make mistakes but we can also still do a lot of good in this world.”

Gal’s Guide presented a program called “Women You Haven’t Learned about in School” in March for Women’s History Month, including classes in Pike Township and at Ball State University. Chaplin says she anticipates more classroom appearances in the 2017-18 school year. By the time fall semester starts, more podcasts will be available for students who want to learn more about specific women.

“Having support and creating a connection to the amazing women that have come before them is essential to inspiring women to follow their dreams even when they aren’t supported by the rest of society,” says Harris. “I’m especially proud of Kate’s school-age outreach, that young girls are getting a chance to learn about important women in history and find new heroes.”

“What I hope the audiences will be inspired to look beyond a history book or a movie screen,” says Chaplin, “and find connections and lessons that make their life fuller, richer and more connected to this galaxy we all share.”Read more at:short prom dresses | purple prom dresses

カテゴリー: fashion | 投稿者tedress 18:29 | コメントをどうぞ

Mineral-rich mud masks up the skincare game

Mineral-rich mud masks up the skincare game<br />
 

(Photo:prom dresses online)Mud: a naturally formed substance that poses quite the paradox. On the one hand, we despair when we trudge through it and it sticks to our clothes and shoes. On the other, we’ll check ourselves into luxury spas and pay to have it rubbed all over our faces.

Mud may not be top of mind when you think of luxury, but there has been a recent surge in mud-mask offerings from high-end skincare brands. Mud has been a vital skincare stimulant “since time immemorial”, according to Josephine Njenga, a senior therapist at Talise Spa in Dubai. Long before eyelash serums and gel nail varnishes, mud was one of the first substances to be used for cosmetic purposes. Cleopatra, the famed female pharaoh who ruled over ancient Egypt, is thought to have frequently applied mud from the Dead Sea to her skin, to retain a youthful appearance. Believing that the body of water contained mystical powers, Cleopatra allegedly built what would come to be known as the world’s earliest spas, near the shores of the Dead Sea.

Then there’s fangotherapy – or the medical use of mud, by way of mud packs or mud baths. This, too, has historical roots. Greeks and Romans, recognising the healing properties of mud, would bathe together, socially, in mud baths, while Native Americans are known to have used mud to soothe irritated skin. There’s even a Romanian legend about an old, blind and crippled man who, while riding his donkey, accidentally came across Lake Techirghiol and found himself stuck in its muddy waters. Upon emerging from the lake, his blindness was cured, and he could walk again.

While mud may have been utilised by civilisations throughout history, skincare brands have only begun to capitalise on the substance for mass-market production in the past decade or so. Never had a beauty brand achieved global success from creating an entire business proposition founded on mud – until Glamglow was launched six years ago, by Shannon and Glenn Dellimore. Being residents of Los Angeles, their initial idea was to create an effective skincare product for their celebrity friends; one that would refine pores, reduce fine lines, give a refreshed glow and prep the wearer’s face for the camera. Mud wasn’t a part of their initial idea, the couple tells me during a recent trip to Dubai.

Today, Glamglow is headquartered at Glamland, an impressive mansion situated in the Hollywood Hills. The interiors are decorated with glossy silver sofas and striking chandeliers, to complement the historic mansion’s beautiful sunrooms and stately staircase. “From my recollection, before we started Glamglow, mud always just came in a big jar. It was more of a spa type of product. I hadn’t really seen it [as a] prestige [product]; it was just mud,” says Glenn. He reveals that, when Shannon and he first considered the idea of creating a Glamglow face treatment, they did their research and compiled a list of ingredients, but when they approached a chemist, he informed them that they needed a base for the formula.

“When we looked into what mud does for the skin, it was incredible,” says Glenn. The result was a mud mask that, when left on for 10 minutes, exfoliated the skin, helping it look smoother, softer and brighter. The product, bottled in an unlabelled, plain white sample container, quickly became a hit among the Dellimores’ network of actors and make-up artists.

Shannon and Glenn sampled muds from all over world – from Europe and Brazil to Alaska – before settling on their favourite: French sea clay, sourced from the coast of Southern France. This was used as the base for the brand’s first product, Youthmud. Even though Dead Sea mud tends to be more popular among skincare brands, Glenn explains that while it may have held lavish connotations in the past, touted as something of a fountain of youth, and reserved for royalty and the elite, mud obtained from the Dead Sea is actually a lot cheaper than other muds. French sea clay, on the other hand, carries more of an exclusive charm and is more costly. “Not only was it the best for what we were trying to achieve, it was also the world’s most expensive mud,” says Glenn.

Other sought-after muds include Kaolin clay, mined from Kaolin in China, and Hungary mud, sourced from the bottom of Lake Héviz, near Budapest. Depending on the geological conditions of its origin, each mud offers its own specific set of minerals and purported healing properties. Like Glamglow’s Youthmud, Talise Spa also uses French Sea Clay for most of its facials. Although mud treatments for the face are most popular, Njenga explains that clients can choose from a range of other services involving mud, including heat packs and body wraps, and says results will differ depending on the type of mud used. “Mud can relax muscles, improve blood circulation, ease digestion, reduce swelling, or relieve tension from the joints. And for the hair, it is a good conditioner, as it detoxifies the scalp,” she says.

While other brands tend to formulate mud-based products with green-tea extract, the Dellimores add real pieces of green-tea leaves, which slowly steep into the mud base over time. In fact, Shannon and Glenn have patented this method.

Soon after they started bottling their mud-mask formula and selling it exclusively to their acquaintances in Hollywood, Glamglow was launched at Neiman Marcus stores across the United States. However, as Shannon explains, having a presence in the most luxurious department store in America wasn’t the best part; it was where the Glamglow products were placed in the stores that was most exciting. “They own the corners of all of their beauty counters, and in Beverly Hills, they put us right in the middle of the La Prairie counter. Just Glamglow,” she says. “In Texas, it was right next to Chanel. Surrounded by all of the biggest and most prestigious brands in the world – including Dior and Shiseido – this new and unknown brand with just one product was right in the middle.” The same year that it launched in stores, Glamglow also emerged as the winning brand at the consumer-based Neiman Marcus Beauty Awards.

Glamglow is also a pioneer of the “multi-masking” beauty trend – where multiple mask products are used at the same time to treat different areas of the face. Shannon, for instance, uses the brand’s Supermud on her T-zone to combat oiliness, and Gravitymud on her neck area, to firm and tone the skin. While the majority of beauty vloggers on YouTube feature women smearing the muds on their faces, Glamglow masks are targeted at male consumers, too. Njenga also says that a lot of men book face masks at Talise Spa. “They love it – they will always go for a detoxifying or cleansing mask, which is what they need for their skin, which is usually either very oily or very dry,” she says. The age range of mud-mask clients is also quite wide, she reveals. “We passed that era of where it was more of a mature thing to do; nowadays it’s all mixed up, with people from 16 to 60 years of age,” she says.

So mud has been elevated from its humble origins and become a go-to beauty formula for all – with zero stigma attached. “Water and soil mixed together becomes mud, but I don’t think it’s [thought of] as being dirty,” says Njenga. After all, new mud-based skincare and medical solutions are no mere water-and-soil combinations. These muds are mineral-rich substances, often containing magnesium, sodium and sulphur, and are found only in particular geographic locations. Today, you can even find mud masks that have been supplemented with real gold – the Dual Action Mask by Gold Core, for instance, features Dead Sea mud formulated with camomile, grape seed, olive oil and 24K gold.

Glenn is adamant that Glamglow’s mud offering tops them all. He even compares the brand to tech giant Apple. “We all need a phone. But we all want an iPhone. And we all need a mud mask, and there are thousands out there, but what everyone wants is Glamglow,” he says. And while he considers the treatments to be of a luxurious nature, he insists that this categorisation isn’t due to the price. “Luxury for us isn’t necessarily just about being expensive; no matter how ‘luxury’ a product is, it’s only as luxurious as the results.”Read more at:prom dress shops

カテゴリー: fashion | 投稿者tedress 18:09 | コメントをどうぞ