タグ別アーカイブ: FASHION

Franca Sozzani could always command a gathering of industry insiders — any day, any time. The same happened on Monday when a mass was held at the tail end of Milan Fashion Week to remember the late editor in chief of Vogue Italia, who died in December.

It’s probably easier to say who was not at Milan’s gothic Duomo cathedral. Police set up barriers to control access to the church while crowds of curious onlookers clustered around — iPhones handy and ready for selfies. There were institutional personalities, ranging from former Prime Minister Matteo Renzi and the city’s mayor Giuseppe Sala to Ivan Scalfarotto, deputy minister for economic development, as well as Carlo Capasa, president of the Italian Chamber of Fashion, and Beppe Modenese and Mario Boselli, both honorary presidents.

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Giorgio Armani; Miuccia Prada and her husband Patrizio Bertelli; Alberta Ferretti and her brother Massimo; Silvia Venturini Fendi and Carla Fendi; Anna Molinari; Dean and Dan Caten; Veronica and Gimmo Etro; Antonio Berardi; Luisa Beccaria; Bruno Frisoni, and Cesare Paciotti were among some of the Italian designers. Donatella Versace arrived arm-in arm with Naomi Campbell.

His design heirs, Pierpaolo Piccioli and Maria Grazia Chiuri, who is now at Christian Dior and was accompanied by Sidney Toledano, were also in attendance. Piccioli said the memorial signaled “a recognition” of Sozzani’s stature. “She was a true friend for me,” he said.

“We called her bambolina [‘little doll’ in Italian],” said Rosita Missoni. “When we were abroad together, all of us Italians would cozy up. She seemed all delicate, but she was determined and had an extraordinary energy.”

Her daughter, Angela Missoni, agreed. “She blended strength and lightness, and she had a big sense of humor. She was always willing to help, incredibly open to listening to others.”

British designers were represented by Burberry’s Christopher Bailey; Alexander McQueen’s Sarah Burton; Stella McCartney; Victoria Beckham, and Stephen Jones. Bailey said the ceremony was “moving. It was about friends sharing personal stories about a person we all admired and respected.” Artist Daphne Guinness also attended the event, as did Emanuele Filiberto di Savoia.

Asked to share a memory, Alber Elbaz kindly said: “Not today, please.” Bruce Weber also struggled to speak. “I miss her too much, I can’t.”

“I’m so grateful for having known her and for her belief in fashion and in myself. She was a great woman and the amount of people here today proves this,” offered Peter Dundas.

“She was divine,” said Manolo Blahnik. “She deserved to be remembered today.” One of Sozzani’s best pieces of advice? “Be yourself and do the things you like and want to do.”

Matteo Marzotto felt the memorial was very “respectful, with the choir and the Duomo — she would have adored it.” Industry executives and entrepreneurs such as François-Henri Pinault; Diego and Andrea Della Valle; Laudomia Pucci; Paolo Zegna; Valentino’s chief executive officer Stefano Sassi; Ferruccio Ferragamo, with his sister Fulvia, as well as Lapo Elkann, Gaetano Marzotto and Santo Versace were also there.

“I’ve so many memories of Franca, but if I have to choose one, I think the event she organized for the Vogue Fashion Dubai Experience in 2015 where I sang on the stage was great,” said Carla Bruni, who was among the models attending the memorial. Others included Kate Moss, who arrived with Stefano Pilati; Eva Herzigová; Mariacarla Boscono; Liya Kebede, and Anna Cleveland. Sozzani championed photography, and a group of her closest collaborators, ranging from Mario Testino and Mario Sorrenti to Giovanni Gastel, paid their respects.

The Duomo’s archpriest Gianantonio Borgonovo touched on Sozzani’s charitable efforts and how she set up Convivio in 1991 to support the fight against AIDS and Orphan Aid in 2001. “We don’t stop at the facade of a well-built building, but we unearth the foundations,” said Borgonovo of Sozzani’s interests that were close to her heart.

While there were no speeches, Sozzani’s sister Carla, who was accompanied by Kris Ruhs and her longtime friend Azzedine Alaïa, chose the readings, delivered by her daughter, Sara Maino, and Franca’s son, Francesco Carrozzini. Carrozzini was accompanied by his girlfriend, Bee Shaffer, and her mother Anna Wintour, as well as Jonathan Newhouse, chairman and ceo of Condé Nast International.

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Art and fashion have always intermingled, but what happens when you toss in a heavy dose of tech and all the contemporary philosophical conundrums that come with it? It would probably look and feel a lot like the stylishly flashy, forward-thinking fashion line, Ab[Screenwear], which made its New York Fashion Week debut earlier this month at Postmasters Gallery in Chinatown.

For all the high-concept themes and influences that founder Olya Petrova Jackson incorporates into her clothing, like her original code-based language system for the various layers and materials she uses (multi-colored dichroic polyurethane panels, shearling, leather, wool, and precious furs), or her vociferous dialogue with Kurzweil’s theory of singularity, the looks are strikingly chic and completely ready to wear.

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“That’s body,” says Petrova Jackson from inside her stylish and minimal Brooklyn apartment, which she shares with her husband. “That’s part of me being a fashion designer, everything else is concept and artistic expression.” For those familiar with the designer’s prototypes and sample items, which she’s been developing for over three years, one can’t help but wonder if she faced external pressure to create more traditional, palatable works to lure the mainstream fashion status quo. “Hell no,” she offers in her delightfully self-aware, Russian accent. “That’s judgment that I don’t care about. If I did, I would have faded away years ago.”

Ab[Screenwear]’s Fashion Week presentation, geographically speaking, was divided into two halves. On the west side of the gallery, three contemporary movement dancers, each in a unique look, played off each other in a slow motion contemplation of our relationship to inter-personal space, sound, light, as well as the various materials interacting with their [our] own flesh. This triumvirate appeared to be led by the actor/model/dancer Elliot Sailors, who brought a ferocious physicality to the proceedings.

One is apprehensive to use a word like androgynous to refer to Sailors, especially in 2017, as [her] confidence seems to obliterate any third-party speculation as to exactly who or what she is. Sailors was joined by the elegant Elanor Bock and transgender model Indya Moore. Their improvisational performance took place in front of a video art piece by Kurt Hentschlager called “Cluster.” The video features a trippy, kaleidoscopic vortex of contorted limbs, pulsing and undulating outward in concentric circles like a human mandala.

One is apprehensive to use a word like androgynous to refer to Sailors, especially in 2017, as [her] confidence seems to obliterate any third-party speculation as to exactly who or what she is. Sailors was joined by the elegant Elanor Bock and transgender model Indya Moore. Their improvisational performance took place in front of a video art piece by Kurt Hentschlager called “Cluster.” The video features a trippy, kaleidoscopic vortex of contorted limbs, pulsing and undulating outward in concentric circles like a human mandala.

What’s most interesting about Ab[Screenwear]’s presentation (a clear standout), is the fact that this three-person movement performance, though lovely and at times hypnotic, was in some ways a clever diversion from the real performance taking place on the east side of the room between the audience and Petrova Jackson’s 13 models, all partially frozen on light-box pedestals in a seemingly traditional standing presentation. This format has become commonplace in the fashion world, as it’s less fleeting than runway and provides more time and access to the fabrics, cuts and overall looks. The audience is able to move face to face with the models, as if they were living, breathing mannequins, open for consensual objectification and game for countless up close and personal photographs, detailing every inch of their bodies.

“You don’t usually come across people who would allow that intimacy,” says Petrova Jackson of her model brood. In Ab[Screenwear], the designer turns the tables back on the voyeur, as many of the models, who rarely if ever speak, were fit with thin translucent dichroic polyurethane panels that housed their iPhones, which were set on record and trained back on the viewer, igniting a mutual sense of awareness between the model and fashion enthusiast, while commenting on our collective dehumanization in the face of advancing technology. “The girls totally got it,” Petrova Jackson continues. “I call this ‘Post Language.’ It’s not about perfection of the physical, emotional, or spiritual, it’s about our imperfection. It’s telepathy. Some people get it, some people don’t, but that might mean they’re not connecting consciously.”

Where other fashion lines over the last few years have gone out of their way to celebrate the complexity and vast spectrum of skin color as a means to deconstruct race, Petrova Jackson asks us to contemplate the evolutionary stagnation, not only of fashion, but of the human species collectively. “What I’m trying to explore is; if you put that [polyurethane screens] over your body and it has all the capacities your phone has, to switch, choose, project, absorb with your fingertips, it might give you a completely new dimension as a human.”

Much of this incredible material was cut and incorporated by one of Olya’s most vital collaborators, Tereza Barabash. Hailing out of Lviv, Ukraine, a cultural hub renowned for its weaving & textile industry, Barabash has won a golden medal at the Textile Triennial in Warsaw, both in 2013 and 2016. The designers would use NYU Fulbright scholars as fabric mules to send repurposed strips of the polyurethane, leather and other materials back and forth to each other. “That’s me coming from an Eastern European, post-soviet block. It’s manic. I would keep it in boxes for months, cut it into thin strips, and send it to Theresa with a courier.”

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It has been an eventful two months for Carolina Herrera. First there was that nasty lawsuit against Oscar de la Renta wherein it transpired that her former chief executive had hired a former ODLR designer to be her heir in waiting without telling her, a situation that did not end well for anyone involved. (The designer returned to her previous place of employ, the chief executive left, and dirty laundry was seen by all.) Then there was the Ivanka Trump inaugural ball gown, a fairy-tale confection that cast Mrs. Herrera into the eye of the political storm.

So if she was feeling distracted, it was understandable. Perhaps as a result, for her fall collection she took refuge in the details.

Moving away from her uptown show home at the Frick to an empty space in the meatpacking district with a Modernist industrial glass ceiling designed by I. M. Pei, Mrs. Herrera laid down a foundation of neat white cotton shirting (the kind she wears so well herself) with wide Edwardian governess collars, paired with pleated gray flannel skirts and finished with a thin black velvet bow at the neck.

More bows tied — literally — the collection together, as it moved through the various stages of a wardrobe and assorted personalities (schoolgirl, urbanite, debutante, royalty). They cinched the back of black leather biker jackets, and the neck of a burgundy crocheted day prom dresses liverpool; were stuck on the diagonal across a black velvet bustier atop a full teal green lace and chiffon skirt; and were tied at the waist of a fragile shell pink cocktail dress. It was a promising idea, but by the end, rendered in organza and tacked onto the neck of a backless sapphire velvet halter evening gown so that the wearer resembled a prized puppy, it seemed more like a styling trick than a gift.

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By Sharon Mosley Creators Syndicatef Summer means rocking out at your favorite festivals where you can free your inner fashion spirit with the best of a boho beat. So take some time to get your cool on with these hot looks that have plenty of edgy attitude:

– Start with distressed denim. Whether it’s a pair of cropped jeans, a mini skirt or a pair of short shorts, the latest denim is raw and ragged. It’s the perfect way to do the blues at an outdoor concert. So start your layering here.

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– Add decorated denim. Add some groovy flair to your traditional jeans or jackets and embellish on the basics. Follow the lead of designers at Gucci and Valentino and wear denim embroidered with appliques of anything from bees to butterflies.

– Rock a graphic T-shirt. You may or may not want to advertise your favorite band, but there are plenty of ways to get a fashion message across with eye-catching toppers that let you move and clap your hands with ease. Skip the cropped tops and go for an edgy oversized T-shirt in graphic prints or stripes.

– Love the leather. When you think festivals and fun, think leather. It’s long been part of the rocker’s uniform. Leather pants may be a little on the warm side, but there are plenty of breathable “pleather” versions available. Leather-like leggings are another great option to jeans. And of course, the leather moto jacket is always a great option tossed over anything and everything.

– Take the tunic to new lengths. The embroidered tunics are definitely having a fashion moment, but crocheted ones are too. If you really want to rock a ’70s vibe, then throw on a gauzy tie-dyed tunic. The more colorful, the better.

And if you’re more of a romantic, then go with the flowing florals. Flower power is pulsing with the fashion beat to the tune of maxi dresses that are cool and comfortable in whimsical prints that bloom in barely there breezy fabrics. Top off with sweaters or vests for chilly nights.

– Always rock out the accessories. There’s no better time to bring out your inner wild child, so swing into summer fun with dangling beaded earrings, suede fringe handbags and maybe a turquoise pendant or two. Then stack your arms with lots of leather and mixed metal bracelets. Wear a hat if you’re going to be out in the sun. And remember your sunglasses, too!

– Never forget the shoes. These may be the most important part of your whole festival outfit. Don’t be tempted to wear those brand new platforms you just bought. One word: Flats. Blisters are not fun; ditto for heels that sink into the ground. Go for comfy. Think slip-on sneakers, moccasins, espadrilles. Birkenstocks, anyone?

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Nothing beats a good pair of shoes, one fashion graduate found recently.

Twenty-four-year-old Ganga Patel took out the 2016 Wellington Most Commercial Collection at New Zealand Fashion Tech’s end-of-year-show in November 2016.

More than 100 people had turned out for the show and it wasn’t just models going down the runway – Patel had to walk it too, a nerve-racking experience..

“I chose to wear flats so I wouldn’t fall off the stage!”

Her line of streetwear was judged the most likely to be sold out of the rest of her classmates’ designs.

It was only on the night Patel found out she had won.

“When I heard my name I was like, ‘Oh! Really?’. It was quite overwhelming.”

Patel has been making clothes for years and said when she was growing up she admired her cousin’s outfits and often black prom dresses uk up in them.

Her passion for fashion continued through high school where she took design classes before starting at NZ Fashion Tech, studying fashion technology for three years.

Last year was the final year of her course.

“I came out of it and I just loved it. It made me more confident about what I was making this year.”

The winning fashion line was one of her final projects. Working over six weeks Patel created her line, calling it Subtle Variance.

She created the clothes for anyone to wear and wanted the outfits to reflect the idea that variations in people, such as skin colour or gender, didn’t matter.

“With the models, I did stipulate for them to be as multicultural as possible,” she said.

As a bonus, one of the models even asked if she could buy the outfit she wore down the catwalk.

“So that was a compliment in itself,” Patel said.

For now, the fashion graduate is working at the Hill Hats factory to save to buy her own sewing machine and start off a brand.

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Keeping up with her trend of minimalistic fashion, Bollywood star Priyanka Chopra wore a Ralph Lauren sequinned gown that took 1600 hours of embroidery to make, at the recently held Golden Globe awards at Beverly Hills, California. She paired the body-fitted gilded gown with a stunning diamond neckpiece by Lorraine Schwartz.

With her spectacular outings at the international awards last year — a sensuous Zuhair Murad white prom dresses 2017 at Oscars 2016 and the twirling hot red gown by Jason Wu at the Emmy’s — both national and international media had their eyes on this diva. Though E! Online listed Priyanka’s look amongst the worst dressed celebrities at this year’s award ceremony, the Indian design fraternity feels the star rocked the chic look with class but could do better.

The detailing in the garment uplifted the look to the next level and Priyanka is definitely moving in the right direction, feels designer Urvashi Kaur. “She is becoming bolder and more confident of herself in terms of her fashion choices and has a more international appeal now. I have never noticed her before when she was in India as she never challenged the prototypes earlier and was missing the fashion quotient. Now she looks more modern and on trend,” Urvashi adds.

The actress who made her international debut with Quantico last year looks sexy and elegant, says designer Rina Dhaka and adds, “To stand next to fashionista Sofia Vergara and look as hot and sexy as her, I believe Priyanka did it with utmost grace and sensuality. Also, her look is very modern elegant and the gold works well on her skin tone.”

Talking about her previous red carpet looks, Rina states, “Her previous two red carpet looks (Oscars and Emmy 2016) have been more in the lines of romantic chic, but this one is more glam yet modern simplicity. The open neck adds newness to the whole look and the straight silhouette fits perfectly well with her figure. The open hair and strong lip colour added elements to the whole look.”

Urvashi feels the prom dresses 2017 is glamorous and Priyanka looks gorgeous, but from international standards she isn’t there yet. “Priyanka is yet to get it (fashion) like Freida Pinto does but she is working her way up to it. Her fashion taste is evolving.”

Adding to the point, designer Poonam Bhagat states, “I personally did not like the whole look and believe that Priyanka could have done much better. Instead of a plunging neckline, I would have preferred a deeper back. Also, the open hair is making her look broader. With oxblood lip colour, which gives a vintage feel, a 1930’s hairstyle would have looked better, more elegant and chic on Priyanka. Though she wore a beautiful diamond neckpiece, I think a choker would have looked better as she has many lines on her neck, which needs to be covered.”

With Inauguration Day less than three weeks away, Melania Trump has made a point of keeping a low profile — but the first-lady-to-be’s choice of a Dolce & Gabbana cocktail dresses for New Year’s Eve in Palm Beach at Mar-a-Lago has kicked off an online firestorm.

After Melania — a longtime client of the Italian brand — wore a black Dolce & Gabbana cocktail dress with bows on each shoulder, Stefano Gabbana thanked her via Instagram with “#madeinitaly” and called her a “DG Woman.” Gabbana’s post had generated more than 13,000 likes and 1,129 comments as of Tuesday afternoon. Among other things, the designer called her “a beautiful woman,” and chided her critics as “ignorant.”

In response to one Instagrammer’s comment — “No! Whether she’s beautiful or not, would you be proud to dress Eva Braun? So wrong,” — an apparent reference to Adolf Hitler’s companion and wife for 40 hours. Gabbana responded with “Who is Eva Brown? Sorry….” perhaps mistakenly translating “Braun” from German to mean “Brown.”

A spokeswomen for Dolce & Gabbana declined to comment Tuesday and a spokeswoman for Melania did not respond immediately to a request for comment.

Thus far, such enthusiastic endorsements of Melania’s sartorial selections have been scarce among designers. That could all drastically change once the First Family is officially installed (regardless of when they are ensconced together at 1600 Pennsylvania Avenue). With former New York Fashion Week and Costume Institute Gala frontwoman Stephanie Winston Wolkoff playing an instrumental role in orchestrating the inaugural festivities, the January 20 celebration is expected to be very different than in years past.

At the first presidential debate this fall, Trump showed her former model status, wearing a black ruched off-the-shoulder Dolce & Gabbana dress from the fall runway. As was the case with most of her election season wardrobe choices, Trump bought the dress herself at the company’s New York boutique. Known not to be a nationalist when it comes to fashion, the future first lady favors an assortment of both American and European labels. Some of her other designer choices were bought online, including the $3,669 virgin wool coat with embossed buttons that Olivier Rousteing designed for Balmain that she bought via Net-a-porter for Election Day.

In November, Sophie Theallet asked other American designers to follow her lead and not dress or associate with Melania Trump. While the proposed boycott may not have transpired into the call to action that Theallet imagined, some big-name designers such as Tom Ford and Marc Jacobs have said they will not cocktail dresses uk the First Lady. Others, like Tommy Hilfiger, Diane von Furstenberg, Thom Browne and Carolina Herrera, have been more receptive to the prospect.

Think back on the year in fashion and it probably looks something like this: Beyoncé in Formation or the latex look she served at the Met Gala, everything Kim Kardashian, Rihanna in a Saint Laurent red heart-shaped fox fur coat or Demna Gvasalia’s debut as creative director of Balenciaga.

Consumers are less likely to ponder how the political and economic instability caused by events like Donald Trump’s election victory or the shocking Brexit vote impacted spending patterns, or how a bombing in the Instanbul garment district affected fashion’s supply chain.

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We’re taught to think fashion and politics look like Michelle Obama and her gold Versace gown at the Obama’s final state dinner, Sophie Trudeau wearing Canadian designer Lucian Matis at the White House, Hillary Clinton in an Armani jacket reportedly worth $16,000 giving a speech on income equality or British prime minister Theresa May taking fire for wearing leather trousers worth a reported $1,650.

We giddily accept clickbait photo galleries-cum-news stories that reinforce a perception that fashion is only ornamental, when in truth it is a $2.4-trillion industry with its own world summits, coalitions, trade agreements and media outlets.

An estimated 57.8 million people are employed in the manufacture of apparel and textiles alone, to say nothing of the people working in the footwear sector or the countless millions employed in the creative, design, shipping, retail and business sectors of what is the second dirtiest industry in the world (only after oil).

The conversation around clothing has to change. We have to start looking at fashion as a powerful economic engine with a vested interest in politics and government.

And, there’s not a lot of time to waste. Because, as of right now, things aren’t going so well.

According to the first State of Fashion report, co-published by Business of Fashion and McKinsey & Company, the world’s economy “has not been this volatile since the depths of the financial crisis of 2009.”

For the past decade, the industry has seen 5.5 per cent annual growth, according to the McKinsey Global Fashion Index, outpacing overall GDP expansion. But by the end of this year, growth is expected to have slowed to between two and 2.5 per cent. Sixty-seven per cent of the industry experts and executives surveyed for State of Fashion said conditions in the industry have worsened in the past year, and only 40 per cent think they’ll get better in 2017.

The top challenge? Dealing with “uncertainty and shifts in the global economy,” the report says. Purchases are emotional decisions and consumers do not spend in politically unstable times. Case in point: data from Slice Intelligence, which monitors electronic receipts of more than four million shoppers, reveals that states where Trump won the popular vote had the highest year-over-year gains in November for revenue from online apparel.

It all points to one cold hard fact: politics will play a big role in what a much-needed recovery for the fashion business looks like, when it happens and what retail looks like on other side.

The sooner we hold our political leaders accountable for how their decisions affect the sector, the better things will be for everyone who depends on it for either a living or, literally, the clothes on their backs.

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Give your wardrobe the update it needs for autumn with these fashion essentials you can wear year after year. These are the items you’ll wear time and time again and they’re never going to date.

With the help of Very, we have the must-have style and wardrobe essentials at affordable prices and excellent quality with their brand new V by Very collection.

The launch is being fronted by model Daisy Lowe too, and whilst she may be busy with Strictly Come Dancing at the moment, she loves how the chic separates are easy to throw on and wear.

These pieces will ensure your style is always on point.

Speaking about the V by Very collection, Daisy says: “I’m so excited to reveal the new V by Very label, there are so many great looks I hope you enjoy wearing them as much as I did on the shoot.

The fashion forward collection is sophisticated, feminine, and very wearable, with chic separates, stand-out vintage prom dresses uk, tailored outerwear, and cute catwalk-inspired accessories.”

Daisy is not the only one who loves the line, iconic fashion magazine Vogue has revealed their love for the line, picking out their standout pieces from the collection.

With favourites including the leather dress for a killer combination in autumn layering, a bright blue dress with neck details and lace sleeves to add a touch of feminine glamour. A leopard print long-line jacket that’s sure to make a statement every time you wear it and of course a statement metallic dress that going to turn heads when you wear it in the evening.

For the launch of the new line, we’ve picked out our favourite autumn fashion essentials that will never date. Every autumn you’ll pick these separates out with ease, throw them on and know you’re going to look and feel good in them.

Not only is the parka coat extremely practical, it’s one of those coats that defies the trends of the time. From the mods in the Sixties, this coat has always held perennial appeal. Mainly because it has that easy-cool factor, but also because parkas are exceedingly practical and transitional too. Layer them up with fur lining as the temperature drops even further into winter.

KNITTED JUMPER

You really can’t discount the knitted jumper through autumn and winter, and what’s great there are a huge number of different types and styles to try out. Chunky, cable knit and oversized designs are some of the more classic looks, whilst metallic jumpers and cold-shoulder designs are definitely more trend led.

Let your metallic jumper take you from work to the bar this season, and amp up the style with some leather too.

Turtleneck jumpers are perfect to layer under long prom dresses but can make just as much of a style statement with your favourite jeans and boots combo.

Oversized sweaters definitely come with the advice the bigger the better. These boho-chic styles look great with skinny pants, jeans and miniskirts all to help balance out the look.

THE MID-LENGTH

Otherwise known as the ‘tea-length’, mid-length skirts and dresses are perfect for autumn. Wear them now with bare legs and then add tights and chunky socks as the colder weather comes in.

Between the sleek, figure-hugging pencil-style midi or the full a-line silhouette, there’s a style for everyone when it comes to the mid-length.

Pleated mid-length skirts are a gorgeous way to update your look this season, wear them with trainers and your favourite sweater during the day, then switch it up for the evening with a cami and pair of strappy heels.

These hemlines serve to elongate the figure, flattering most when just above, so that both legs and chest region effectively look longer, giving the look the illusion of being taller.

Actress Kangana Ranaut looked stunning as she was photographed in a traditional ensemble from Manish Malhotra’s new collection. short prom dress uk in an embroidered outfit, she was royalty personified. The dramatic background also added a vintage touch to the picture.

This image was posted on Instagram by manishmalhotra05.

02Meanwhile, Anushka Sharma was chic, smart and nothing short of elegant as she was game for a photoshoot for a magazine.

This image was posted on Instagram by prasadnaikstudio.

03Anushka also pulled off her unkempt look with ease.

This image was posted on Instagram by prasadnaikstudio.

04For another picture, Anushka experimented with a red fur coat.

This image was posted on Instagram by yashrajfilmstalent.

05Anushka Sharma and splashes of gold, red and black, and you get this.

This image was posted on Instagram by yashrajfilmstalent.

06Anushka also opted for an embellished jacket to go with white.

This image was posted on Instagram by yashrajfilmstalent.

07Take it from Anushka, stripes will never let you down.

This image was posted on Instagram by yashrajfilmstalent.

08Actress Esha Gupta’s monochrome fashion statement consisted of a black dungaree teamed with a white shirt.

This image was posted on Instagram by aasthasharma612

09Issaq actress Amyra Dastur also Instagrammed her “favourite” picture from a recent photoshoot.

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